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Howard's direction is crisp and lively, neatly interweaving the racing sequences and character studies for a satisfying blend of the kinetic and dramatic. The 1976 Formula One season itself (the details of which I will not divulge here) offers a cinematic arc brimming with tension, spectacle, and surprise. If this sports story didn't exist, Hollywood would have had to invent it.
buy finpecia india John Ridley’s deft, well-structured screenplay balances moments of terror with telling glances of Northup’s sad resignation. Hans Zimmer’s music underscores gently or, at times, jarringly, a symphonic suggestion of being caught in a machine. Through it all, Ejiofor (“Children of Men”), Nyong’o and Fassbender (star of McQueen’s 2011 “Shame”) are astonishing. Paulson, Dano and Paul Giamatti make gruesome villains, while Cumberbatch and Brad Pitt, playing a Canadian laborer, offer glimmers of light.
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