Rezensionen zu: Rohsteine Set

Datum: Montag, 12. September 2016
Autor: Gast
Rezensionen zu: Rohsteine Set

Rezension:

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thesis scope and delimitation The problem for Millepied is that the Paris Opera Ballet represents a unique proposition, its existence and the roots of its style tracing back to the beginning of ballet itself in the court of Louis XIV. Most of its dancers come straight from the associated school into the company and remain there until, as civil servants, they are forced to retire at 42 on a state pension. Directors often have a torrid time; although Lefèvre has been in the post since 1995, even Rudolf Nureyev only lasted for six stormy but brilliant years. The great generation of dancers his regime produced – Sylvie Guillem and Nicolas Le Riche among them – has not been matched since. Millepied views the political complications with equanimity. He is not afraid of promoting change but insists that he has no plans, as some feared, to steer the company in the direction of contemporary dance.

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