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Rather than clearly indicating each of Walter’s daydreams at the outset, Stiller allows the poor guy to drift seamlessly into his hallucinations, while slowly pumping more excitement into his daily routine over the course of the film. Early on, it’s pretty easy to tell when a wall of the Life building crumbles away to reveal Walter as a rugged mountain climber, professing his love for Cheryl via “poetry falcon.” However, by the time Walter finds himself thrashing in sub-zero seas, screaming as the porpoise fins close in around him, auds can scarcely distinguish where fantasy ends and reality begins.

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